I remain fascinated by the songwriting process, which is one of the reasons why I set up the OUS platform. Next year we launch the Music for The Head and Heart platform which is much bigger than OUS. This also has an element that looks at the creation and delivery of original music, but is not confined to any individual instrument.
Recently I was getting ready for a rehearsal for “The Caravan of Dreams” ensemble, playing the wonderful Gregor Nowak guitarelle. I found a really simple haunting riff that really stuck in my head. With 20 minutes before other band members turning up I scribbled down a couple of verses. This was one of those moments where the first draft is great and there’s a whole stream of consciousness going on where I’m writing as fast as I can to get down the ideas.
Instead of rehearsing what I had planned, we launched into this new track, literally hot off the press. My violinist and double bass player created an intro harmonizing both instruments which sounded amazing. We ran through the track 3 times with Agi on vocals and harmony vocals and it sounds so good, I putting it to the top of the list for July’s recording date. This is the fastest piece of writing ever, even faster than “There’s only one of you” which is on the first Small Change Diaries album and a favorite track for many.
My experience is that its helpful to be in a particular state when creating new songs and crucially not to start editing too soon in the writing process. This is a strategy used by Walt Disney when he created his films and Disney still adopt this way of working today. When the muse turns up its truly a fascinating process and its in my experience being like a channel for something to appear. Sometimes once the song forms I think “Where on earth did that come from?”